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WU Tien-chang: Never Say Goodbye
* 1956 Changhua, Taiwan; lebt in Taipeh, Taiwan.
Wu Tien-chang: Never Say Goodbye, eine kollaterale Veranstaltung der 56. Internationalen Kunstausstellung - La Biennale di Venezia, ist die große Einzelausstellung eines des wichtigsten Künstler Taiwans im Palazzo delle Prigioni. Die vom Taipei Fine Arts Museum kuratierte Schau zeigt neben fotografischen Arbeiten von WU die neu in Auftrag gegebene Videoinstallation Farewell, Spring and Autumn Pavilions.
Located at Palazzo delle Prigioni, a former prison inside the Palazzo Ducale, WU Tien-chang: Never Say Goodbye explores the atmosphere and particular sentiments of westernization in the post-war era of Taiwan, whilst also responding to shifts in the historical regime over the past century. The new video installation Farewell, Spring and Autumn Pavilions features a haunting character wrapped in sensual and seductive latex skin which are both striking in colour and dark in their ghost-like fictitious nature. The resulting work depicts haunting scenes, imbedded in Wu’s interests in photographic theories, Taiwan’s complex history and culture and the history of the site itself. Apart from the video piece, a series of dramatic staged photographs suggest memories and nostalgia embedded within everyone – reflecting the lingering presences in the prison who are reluctant to leave as they are torn between love and hate for the mortal realm.
Ms. Fang Mei-ching, Chief Curator of Taipei Fine Arts Museum said, “At the show, Wu uses the flamboyant and kitsch appearances of the ghostly figures on his photography works and video installation as disguises of charm to confide in the past pains that cannot be shouldered by the individual or the entire nation. On one hand, the intricate history of post-war Taiwan is revealed, and on the other hand the romantic aspiration for the future is projected. These seemingly parallel and opposing lines have struck a balance on a perfect crossing point at the presentation, by establishing a memorable dialogue within the exhibition space and venue.”
Born in Changhua, Taiwan in 1956, and spending most of his time in Keelung, Wu Tien-chang is renowned for his oil paintings and digital photography which comments on the socio-political aspect of life. Wu’s work reveals the contradictions of the photographic medium, with its apparent reality, yet often contrived and fictitious nature. Since 2000, he began incorporating digital retouching and image-collaged techniques in his staged photography – painting backdrops, scripting, lighting, photography, making props, and directing models by himself in order to integrate the various conflicting elements into something unique and captivating. He currently lives and works in Taipei, Taiwan and was featured in major exhibitions internationally, including the Soho Photo Gallery, New York (2010); the Hong Kong Art Centre, Hong Kong (2010); Eslite Gallery, Taipei, Taiwan (2010); Art Beijing, Beijing, China (2009); the National Art Museum of China, Beijing, China (2009); the Taipei Cultural Center, New York (2008) and MOMA Contemporary, Fukuoka, Japan (1997).
Taipei Fine Arts Museum has organized the presentation of the artists from Taiwan at the Venice Biennale since 1995. Yet, WU Tien-chang: Never Say Goodbye is the first solo show determined by a selection committee and held by TFAM.
Taipei Fine Arts Museum
Tel.: +886 2 25957656 Ext. 111
Taiwan’s first museum of modern and contemporary art, Taipei Fine Arts Museum (TFAM) was officially opened to the public on December 24, 1983. Located in Taipei, the museum occupies over 20,000 square meters of space, of which 11,741 square meters are devoted to exhibition. The inception of the TFAM was a response to appeal for the budding movement of modern art in Taiwan. TFAM has dedicated to the development of modern art in Taiwan over the past few years while staying abreast of ongoing trends in contemporary art.
In order to engage with contemporary art stages, TFAM has started hosting Taipei Biennial since 1998, and inviting internationally-renowned curators and artists to cooperate with the local artistic circle. The shows held over the past decade have both increased the visibility of Taiwan and expanded the global networks on the world stage.
Since its inception, TFAM has not only been a platform for exhibiting artworks from Taiwan and overseas, it has also been an initiator of exchange between Taiwanese and international art worlds. Through collaborative exhibitions, TFAM has been able to establish a dialogue with a global audience.