Universes in Universe

For an optimal view of our website, please rotate your tablet horizontally.

Taiwan

Taiwan

Taiwan in Venice 2024

60th International Art Exhibition, La Biennale di Venezia

20 April - 24 November 2024

Title: Everyday War

Artist: Yuan Goang-Ming

Curator: Abby Chen

Organizer: Taipei Fine Arts Museum

Venue: Palazzo delle Prigioni

Public Forum, 18 April 2024


Abby CHEN and YUAN Goang-Ming © Photo: Courtesy of Taipei Fine Arts Museum

Artist YUAN Goang-Ming and curator Abby CHEN.
© Photo: Courtesy of Taipei Fine Arts Museum

Taipei Fine Arts Museum, artist Yuan Goang-ming and curator Abby Chen, present Everyday War at the 60th Venice Biennale 2024. Combining Yuan’s signature video arts, the artist created a space with an “everyday” domestic feel, contemplating the present-day realities of life, as well as the hidden threats that underlie “the difficulty of dwelling poetically.”

Yuan Goang-Ming (* 1965) grew up in Taiwan and studied media art in Germany. In the 1990s he established himself as one of Taiwan’s leading new-media artists. His works include single-channel video, interactive installations, installation-based video projections, and digitally edited still photography. He pioneered a new form of motion picture somewhere in between video art and film, with a more theatrical presentation of daily life. Today, he continues to experiment the possibilities of blending new-media art and cinematic storytelling.

© Goang-Ming YUAN: Everyday Maneuver, 2018

Installation view of Yuan Goang-Ming: Everyday War © TFAM 2024

Everyday War

The exhibition titled Everyday War includes five video artworks and a kinetic installation, four previously released and two new works. It will continue Yuan’s past audio-visual vocabulary, with such themes as “home,” “dwelling” and “an uncanny tomorrow,” which can be seen in Dwelling from 2014, as well as Tomorrowland and Everyday Maneuver from 2018. Employing a view of small things with an air of warning to magnify the unanticipated outbreak of crises, these artworks project anxieties about the current political and social environment…a state of eerie suspense due to escalating tension geopolitically surrounding the Pacific island chain, across the straits and conflicts everywhere.

© Goang-Ming YUAN: Everyday War, 2024

© Goang-Ming YUAN: Everyday War, 2024

Yuan Goang-Ming says, “This solo exhibition will try to metaphorically explore the hidden fears and threats of Taiwan in its current state of existence, and by asking questions about the future, it will re-examine the realities of the present, considering ‘war as part of normal life’ and ‘war becoming the new normal.’”

The new piece, the exhibition’s eponymous work Everyday War, is a single-channel video presenting before-and-after scans of a domestic space. Glass shatters loudly, then warplanes fly in one after another, destroying the objects in the room. Finally all the aircraft annihilate one another, and the whole house is left a ruin in the aftermath of battle. As the camera keeps panning back and forth in a straight, steady line, whiling lights and shadows gradually bathe the entire interior, and the collapsed home slowly returns to its original unscathed appearance, announcing a surreal prophecy with profound tension.

The observations and portrayals of the state of affairs in Taiwan in Yuan Goang-Ming’s art highlight that war today has evolved from the actual firing of artillery to invisible expressions: “war as part of normal life,” entailing post-capitalist unequal distribution, contagion, cyber attacks, and the discrimination and oppression of different religious and ethnic groups...war has become the “new normal” within the dwelling.

© Goang-Ming YUAN: The 561st Hour of Occupation, 2014

© Goang-Ming YUAN: The 561st Hour of Occupation, 2014

“This intertwining multitude of home, encompasses host and guest, private and public spheres, physical and virtual realms, the imagined and lived experiences,” notes curator Abby Chen. “It reflects an artist’s competing reality of living in Taiwan, where fear coexists with courage. In an era of great uncertainty and division, Yuan’s declaration of one’s own vulnerability is the very fortitude and truth that transforms into empathy and shared connectedness. The universal human condition of conflict perpetuates, so does the persistent search for the poetic essence. It is never settled in any dwelling. It lies in the moments of bravery, by those pursuing and acting.”


Forum: Thinking Like an Island

Public Forum, 18 April 2024
Palazzo delle Prigioni, free admission

Focusing on island-thinking as a methodology for survival, international professionals joined the artist and curator in delving into the relationship between art and contemporary geopolitics.

Speakers:

  • Yuan Goang-Ming, exhibition artist
  • Abby Chen, exhibition curator
  • Naz Cuguoğlu, assistant curator of Contemporary Art & Programs, Asian Art Museum
  • Hera Chan, adjunct curator, Asia-Pacific, Tate Modern
  • Birde Tang, curator, Guggenheim Abu Dhabi Museum

Afterwards, in their performance "Go Tell It to the Mountain" Berlin-based artist Ali Yass and Jordanian artist and curator Joud Al-Tamimi presented a communion with past-present yearnings and unfinished political projects.

More in UiU:

Address, organizer, contacts:

Taiwan in Venice 2024
Palazzo delle Prigioni
Castello 4209, San Marco
Vaporetto Station San Zaccaria
Next to the Palazzo Ducale
Location on map

Official website:
www.taiwaninvenice.org

Organizer:
Taipei Fine Arts Museum
No.181, Sec. 3, Zhongshan N. Rd., Zhongshan Dist., 
Taipei City 10461, Taiwan
Website | Contact

Follow Taipei Fine Arts Museum: 
Facebook | Instagram | Youtube

Media contacts:
Ethan Yi-sheng Li
+886 2 2595-7656 ext.107, email
Jean Tzu-ching Kao
+886 2 2595-7656 ext.110, email


From press information.
© Cover photo: Goang-Ming YUAN, installation view of "Dwelling," 2014. Courtesy of Taipei Fine Arts Museum.


See also in UiU:

Back to Top