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Sharjah Architecture Triennial 2023

2nd Sharjah Architecture Triennial, 2023

11 November 2023 – 10 March 2024
Sharjah, United Arab Emirates

The Beauty of Impermanence: An Architecture of Adaptability
See the curatorial statement

Curator: Tosin Oshinowo

President of SAT: Hoor Al Qasimi

List of participants

Curatorial advisory board

© Collab - Henry Glogau & Aleksander Kongshaug, Render of Resource Autonomy

The Beauty of Impermanence: An Architecture of Adaptability

Curated by architect Tosin Oshinowo, the 2023 edition of the Sharjah Architecture Triennial will feature 30 architects, designers and studios from 26 countries, who will explore innovative design solutions borne out of conditions of scarcity in the Global South. From large-scale installations and exhibitions to critical conversations and wider public programming, the Triennial will examine how cultures of re-use, re-appropriation, collaboration and adaptation can help to deliver a more sustainable, resilient and equitable future.

The Triennial was first established in 2018 to provide a platform for architecture and urbanism from West Asia to South Asia and the African continent, framed within the context of Sharjah. Projects will be displayed across the city and its environs, from central locations such as the old Al Jubail Vegetable Market and the Al Qasimiyah School to the surrounding desert. The edition will immerse visitors in an ambitious and dynamic presentation that, while rooted in the history, culture and tradition of Sharjah, transforms the region into a global hub for architectural discourse.

Renowned for her environmentally and socially responsive approaches to architecture, Oshinowo’s choice of theme is inspired by her own design philosophy, which embraces contextual solutions. The Triennial’s participants will shine a spotlight on design solutions that draw from indigenous knowledge, explore the potential of local materials, and examine the climate resilience and adaptability of communities around the world.

See the curatorial statement

Projects will respond to the theme across three key strands:

Renewed contextual

From climate change to resource scarcity, participants will demonstrate how knowledge derived from the Global South can inspire resilient design.

more info & projects

Projects highlighting the versatility of natural materials as a building resource include ETA’DAN by Hive Earth, a multi-functional wall made of rammed earth and agro-waste. An interactive installation for all ages with seating and steps for rest and relaxation, it will promote sustainability through resource sharing and waste reuse. Employing mud as material is also the foundation for Sumaya Dabbagh’s EARTH TO EARTH, a curved wall structure that reflects the fundamental circularity and duality of a material which embodies both solidity and fluidity.

Addressing the extractive impact of modern market economies on biodiversity and indigenous knowledge, Hunnarshala Foundation’s Back to the Future is an exhibition that will explore how natural materials and traditional building skills can strengthen marginalised voices. Also acknowledging indigenous practices, artist and architect Abeer Seikaly will present a mobile cultural space that celebrates the significance of weaving within Bedouin communities. The construction will use locally sourced bamboo and goat's hair, envisioning a circular future whilst evoking the forgotten relationship between people and the land.

Projects will also highlight innovative responses, and resistance to, waste culture. Thomas Egoumenides’ Ship of Theseus, embraces a circular approach using discarded plastic spools and threaded rods. Repurposing these materials to craft an architectural installation, the project becomes a symbol of resistance to a throwaway culture. A project by Papa Omotayo & Eve Nnaji MOE+AA/ADD-apt will be based in one of Sharjah’s industrial zones, exploring life amid the area’s vacant lots and unutilised spaces. WE REST AT THE BIRD'S NEST is an installation constructed from organic waste and scaffolding that asks what happens when space is adapted to create a collective point of rest.

© Hunnarshala Campus, Bhuj. Image Courtesy of Andreas Deffner

Extraction politics

Participants will also engage in documenting, recording, and addressing the extractive processes that often underpin design.

more info & projects

Cambio (2020-2023) is an ongoing project by Formafantasma, which investigates the wood industry's origins in colonial bioprospecting in the nineteenth century. It explores the supply chain's environmental impacts and seeks to expand design beyond finished products by integrating forestry, legislation, science and activism. Through videos presented as part of a multidisciplinary exhibition, they ask how design can address environmental issues through collaborative and informed approaches.

Highlighting the issue of waste colonialism, clothing brand BUZIGAHILL - who creatively transform second-hand clothing waste from the West and sell it back to the Global North - will reconstruct their production studio and stage RETURN TO SENDER. This defiant performance showcases the resourcefulness of Sub-Saharan Africans in harnessing waste as a valuable resource. Sharjah plays a significant role in the second-hand clothing supply chain, and bales of unwashed second-hand clothing have been specially acquired for the performance from a sorting centre in one of Sharjah’s Free Zones, where migrant workers unpack, sort and repack unwanted clothes collected in Europe.

Power Shifts is a photographic installation by Dia Mrad that looks at Lebanon's economic collapse using aerial imagery of the proliferation of solar panels on rooftops in Beirut. Viewed not just as objects, the panels become manifestations of the crisis itself, inviting viewers to reflect on not only the visual impact of the economic collapse on the cityscape, but also its profound effect on the lives of its residents.

In response to Sharjah’s evolving national identity and cultural significance in the UAE, Olalekan Jeyifous will present SHJ 1X72 - 1X89, a speculative work that offers a retro-futurist vision of the region. Set on Sharjah’s Bank Street and its ‘heritage areas’, Jeyifous will imagine an alternative architecture that embraces sustainable practices and local typologies, in tune with the climatic conditions of the region and the social rhythms of its inhabitants.

© Formafantasma, Still from Cambio - Seeing the Wood for the Trees (2020-2023)

Intangible bodies

Celebrating the ephemeral nature of civilisation’s interaction with the environment, projects will explore how natural landscape systems and cultural narratives can be integrated into new urban frameworks.

more info & projects

Abandoned sites in Sharjah will provide a catalyst for many of these ideas, such as the old Al Jubail Vegetable Market, which closed in 2015 but was saved from demolition by SAT in 2019. 51-1 Arquitectos will turn the area adjacent to the venue into Play You Are in Sharjah, a public space for communal activity with tables, chairs and board games that are reconfigured according to the position of the sun throughout the day.

Elsewhere, in the desert surrounding the city, the Al Madam ‘ghost village’ is part of a series of modernist settlements that were built in the 1970s to house nomadic groups. Long since abandoned, DAAR – Sandra Hilal & Alessandro Petti’s project Concrete Tent will use fabric to cover the ruins of the village, reframing it as a symbol of enduring transience. Ultimately, like the buildings, the project will be reclaimed by the dunes, a poetic reminder of the inevitability of impermanence.

Honouring architecture as a space for ritual, performance and tradition, Yussef Agbo-Ola will present JABALA 9: ASH CLEANSING TEMPLE. This sacred structure – honouring Bedouin, Yoruba and Cherokee cultures – will be built from organic materials such as jute, hemp and cotton yarn and illustrated with cosmological motifs, inviting visitors to partake in collective incense burning and breathing ceremonies within. The Museum of Artifice by Miriam Hillawi Abraham reimagines the sacred rock-hewn churches of Lalibela in Northern Ethiopia as constructed entirely from blocks of salt – a nod to the material culture of Sharjah and its historic relationship with Ethiopia. The structure will eventually be dismantled and its salt blocks returned to the merchant for re-use in agriculture and construction, only leaving behind remnants of salt, dust, and memories.

© DAAR: Rendering of wrapped building in Al Madam. Image Courtesy of Herman Hjorth Berge

Some more works and projects
Short preliminary information

Curatorial Advisory Board

  • Hoor Al Qasimi, President of Sharjah Architecture Triennial and President & Director of Sharjah Art Foundation
  • Beatrice Galilee, Co-Founder and executive director of a new platform for architecture and design discourse, The World Around
  • Mariam Kamara, Founder of architecture and research firm Atelier Masomi in Niger
  • Rahul Mehrotra, Founder of architecture firm RMA Architects of Mumbai + Boston and Chair of the Department of Urban Planning and Design at the Harvard Graduate School of Design
  • Yinka Shonibare CBE RA, British-Nigerian artist
  • Paulo Tavares, Brazilian architect and urbanist

See the biographical data

All texts from press information of the organizers.
Cover image on top: Al Borde (Puerto Cabuyal, Manabí, Ecuador): Las Tres Esperanzas (The Three Hopes).
© Cover photo: JAG Studio

Organizer, contact:

Sharjah Architecture Triennial
Al Qasimiyah School
Sheikh Saqr Bin Khalid Al Qasimi St
Al Manakh, Sharjah
United Arab Emirates
Website | Email

Press contacts: Media page

Sharjah Architecture Triennial Team

Board of Directors

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About Sharjah

Sharjah is the third-largest of the seven United Arab Emirates, and the only one bridging the Arabian Gulf and the Gulf of Oman. Reflecting the deep commitment to the arts, architectural preservation, and cultural education embraced by its ruler, Sheikh Dr Sultan bin Mohammad Al Qasimi, Sharjah is home to more than 20 museums and has long been known as a hub of culture in the United Arab Emirates. In 1998, it was named UNESCO's “Arab Capital of Culture” and was designated the UNESCO “World Book Capital” for the year 2019.

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