Paulo Nimer PJota
(índice 1, contiguidade não imediata). 2011
Acryl, Kohle, Bleistift, Klebeband, Transparentpapier auf Leinwand, Triptychon, 200 x 465 cm
This work analyses the relationship that the city forges between humdrum images and references from the history of art. The artist invited other people to collaborate on the work, in a conversation with urban manifestations that strip drawing and painting of their artistic character.
(Aus dem Short Guide)
30. Sept. - 11. Dez. 2011, SESC Belenzinho, São Paulo, Brasilien. Videos, Performances, Installationen, Objekte, Malerei, Fotografie etc. von 101 Teilnehmern. Generalkuratorin: Solange Farkas. Teil des 17. Internationalen Festivals Zeitgenössischer Kunst SESC_Videobrasil.