Para la mejor vista de nuestra página web, use su dispositivo en forma horizontal.
* 1986 Sharjah, EAU. Vive allí y en Abu Dhabi.
The Black Boxes of Observational Activity. 2019
Madera, MDF, pantallas LCD, video
Encargo de Sharjah Art Foundation
Alaa Edris investigates changing urban environments, folklore and symbols of gender and belief to reformulate and create new perspectives on architecture, myth and social history. Taking the role of an anthropologist, cartographer and sci-fi voyager, she approaches art as a means of identifying, shaping and articulating culture. She frames her observations of UAE life and landscape in the late 2010s through photography, film, installation and performance, highlighting or evoking sensations of the uncanny and feelings of discomfort embedded in the overly familiar.
The Black Boxes of Observational Activity (2019) is a site-specific installation of standing black boxes reminiscent of old photography equipment, the camera obscura and observation deck telescopes. Installed on the rooftop of Gallery 1 in Sharjah Art Foundation's Al Mureijah Square, each box points to a historically significant part of Sharjah, including Bank Street and Khalid Port, both of which are areas of global commerce in close proximity to the emirate's historic area. Instead of a lens, there is a screen embedded inside each box that can be seen through a small hole acting as a viewfinder. The screen displays a video recording of a location filmed in the recent past but manipulated with a futuristic sci-fi aesthetic. As the view on the screen within each black box and that which can be seen in real life are essentially the same, the work frames the present as the interface between past and future, an ever-evolving dialogue that positions the viewer as the central processor of change.
Text from the Sharjah Biennial 14 Guidebook
© 2019 Sharjah Art Foundation
1 - 3 March 2024, Sharjah, Emiratos Árabes Unidos. Charlas, mesas redondas, talleres, performances, etc., organizados por Sharjah Art Foundation.
11 nov. 2023 – 10 marzo 2024. La belleza de la impermanencia: Una arquitectura de la adaptabilidad. Curadora: Tosin Oshinowo.