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Curated by Raphael Fonseca and Renée Akitelek Mboya, this edition, entitled "Memory is an editing station," marks Videobrasil’s 40th anniversary.
The call for submissions is open for artists from August 1 through September 2, 2022.
After being postponed for almost two years due to the COVID-19 pandemic, the 22nd Biennial Sesc_Videobrasil will be held in October 2023 at Sesc 24 de Maio, in São Paulo, attentive to the contemporary production of the Global South, and in tune with a very different context from the one in which it would be held in 2021. Curated by Raphael Fonseca, from Brazil, and Renée Akitelek Mboya, from Kenya, the Biennial opens call for submissions by both Brazilian and international artists, from August 1 through September 2, 2022.
With its characteristic dynamism, the event reaches its 22nd edition with the title "Memory is an editing station" – a sentence taken from the poem "Open Letter to John Ashbery," by Waly Salomão (1943–2003), an unavoidable name across different cultural areas in Brazil since the 1960s. The Biennial also marks the 40th anniversary of Videobrasil, initially an event dedicated to video, but which over the decades expanded to the most varied artistic media.
In this celebration, "it is, therefore, necessary not only to reflect on time and the many conceptions of memory, but also to revisit the importance of video in these four decades," write the curators. It is worth noting, according to them, that in contemporaneity, the possibilities of editing have been transformed, and become more agile and within reach of our fingertips in many technological devices of everyday use.
Far beyond these particular "editing stations," the 22nd Biennial seeks to select works that address collective memories, the dynamic of remembrance and forgetfulness that build historical and social narratives, related to peoples, nations and geographic regions. "How does the equation between remembering and forgetting come about?" What are the ethical boundaries of a cut? Who holds the power to do so? How can a sequence of images revisit narratives concerning a family, nation, or geographic region? How to forge the memory of what we didn't see or feel in our bodies? What are the limits of memory?", question Raphael Fonseca and Renée Akitelek Mboya (see the curatorial statement.)
Founder and artistic director of Videobrasil, Solange Farkas calls attention to the context in which the open call for artists is being held, after more than two years of a pandemic that has left millions dead around the globe – and which will certainly exert some influence on the artworks presented. The idea of survival, therefore, emerges as an essential desire, as well as the need to look at such a recent and already traumatic past. "Surviving in the face of adversity is necessary, and the Biennial cherishes the expression of different voices, ways of negotiating the historical past and forms of reflecting on image creation today," she argues.
Exhibition view, 21st Biennial Sesc_Videobrasil
© Photo: Everton Ballardin, Acervo Videobrasil
Held since 1983, in the context of the processes of redemocratization in Brazil, and when it was still called Videobrasil Festival, the Biennial started to be held in partnership with Sesc in 1992. "It is symbolic that this edition of the Biennial is starting to be prepared in 2022, the year in which important political and cultural landmarks in the country are being revisited, announcing a future edition that will commemorate the 40th anniversary of this event, inscribed in the field of arts for its contributions on the debates about the boundaries of artistic languages and the geopolitics of contemporary art," says Danilo Santos de Miranda, regional director of Sesc-SP.
After its internationalization in the late 1980s and early 1990s, the Biennial also established, in the following years, its more specific focus on the production of the so-called Global South —a term that refers to territories on the margins of central capitalism, located mainly in Latin America, Africa, Eastern Europe, Asia and the Middle East. Since then, the event has brought together artists from all corners of the world and struck partnerships with institutions outside the traditional axis formed by Western Europe and the United States. In its previous edition, for instance, entitled "Imagined Communities," the Biennial Sesc_Videobrasil amassed a vast production by indigenous peoples from Brazil and other countries.
As has been the case for many previous editions, the 22nd Biennial will also give a series of awards, strengthening the role of the event not only in exhibiting, but also in encouraging artistic production. The following distinctions will be awarded:
Exhibition view, 19th Biennial Sesc_Videobrasil
© Photo: Everton Ballardin, Acervo Videobrasil
The Biennial will receive submissions of works in any format and media, from artists and/or collectives born and/or based in countries of the Global South, from the Community of Portuguese-Speaking Countries (CPLP), or residing in them for at least five years, as well as indigenous artists of any nationality. "We invite artists whose individual trajectories and works can somehow echo and push ever further the relationship between editing and memory. It is on the basis of the collective—and certainly non-linear—presence of their research that the 22nd Biennial Sesc_Videobrasil will take place. Regardless of their existential and artistic interests, we want—together with the audience—to learn about their practices and ways of manipulating their editing stations," conclude the curators.
Deadline: 2 September 2022
More information, rules and registration:
https://site.videobrasil.org.br/en/inscricao
If you have any questions, please write to:
22bienal(at)videobrasil.org.br
From press information.
© Cover image on top: Biennial Sesc_Videobrasil 2023
© Photos: Biennial Sesc_Videobrasil
