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FX Harsono: Testimonies

About the art and ideas of the artist from Indonesia, and his show at the Singapore Art Museum.
By Tan Siu Li & Seng Yu Jin | Apr 2010

Any discussion of the history of contemporary art in Indonesia would be incomplete without an examination of FX Harsono's art and practice. Harsono's works are remarkable in that they span four tumultuous decades in Indonesian art and history, and have borne witness to a multitude of changes and upheavals in Indonesian politics, society, and culture. Throughout this lime, Harsono has continued to question his role as an artist and his position in society, constantly pushing his art and practice to reflect and engage with new social and cultural contexts.

The Indonesian art world first encountered FX Harsono as a restless young artist in the 1970s. One of the founding members of the Gerakan Seni Rupa Baru (GSRB) or New Art Movement in 1975, Harsono - together with his GSRB compatriots - was already experimenting with new modes of art-making which incorporated found objects and conceptual approaches. By the 1990s, he had established himself as a force in Indonesian contemporary art, creating powerful installations with strident social commentary. These compelling works, which critiqued the regime of power and oppression in Indonesia, gained critical attention and were widely exhibited abroad.

The closing years of the 1990s were marked by a series of societal shockwaves which reverberated throughout the nation, in particular the economic meltdown of the 1997 Asian Financial Crisis generated a groundswell of public anger. In 1998, this culminated in days of brutal street violence and the fall of Suharto's New Order. Indonesian-Chinese artists like Harsono experienced a profound sense of disillusionment, as the events of May 1998 revealed that the very 'people' he had fought for through his art were just as capable of brutality as the political regime, and worse - these people would turn on each other. With the veneer of control under Suharto's 'strongman' regime removed, the fractures in Indonesian society revealed themselves more painfully than ever, particularly along ethnic lines. It was then that Harsono's art began to look inwards, as the artist intensively scrutinised his identity and place in society.

To date, Harsono has continued to raise troubling questions about the position of minorities and the disenfranchised in Indonesia. His most recent body of work draws on his family history, in an investigative journey that reveals the intersection of the personal with the political.

Driven by his belief that an artist needs to constantly engage with society and its issues, Harsono has consistently navigated the shifting currents of Indonesia's socio-political realities, deftly re-aligning his practices to most effectively address urgent issues in Indonesian society and culture. As such, Harsono is widely respected by the Indonesian art community. His pioneering efforts in the early days of contemporary arts development have paved the way for a new generation of artists who look up to him as an icon. Besides his art practice, Harsono also lectures on Art and Design, and writes regularly about social issues and the development of contemporary art. He continues to nurture and challenge the next generation of artists, and contributes to art discourse and debate in Indonesia.

The exhibition pays tribute to FX Harsono and traces the shifts in the artist's strategies of representation: from the ground-breaking conceptual works that re-defined art making during the Gerakan Seni Rupa Baru (New Art Movement) of the 1970s; to the politically-charged installations of the 1990s; to the artist's recent investigations into issues of self, identity and personal history.

Included in this survey are seminal works drawn from the Singapore Art Museum's permanent collection, as well as from other art institutions and private collections, such as Paling Top '75 (1975) and Voice Without Voice (1994).

Through these various "testimonies", the exhibition offers a glimpse of the political, social and cultural changes that have shaped Indonesian society, and the artist's constant re-evaluation and re-positioning of his role throughout this recent history.


Tan Siu Li & Seng Yu Jin

Curators of the exhibition "FX Harsono: Testimonies", Singapore Art Museum.

Reproduced with permission from the Singapore Art Museum.

FX Harsono: Testimonies

4 March - 9 May 2010

Singapore Art Museum

71 Bras Basah Road

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