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Birketein

Birketein / © Foto: Haupt and Binder, Universes in Universe

Birketein

About 1.5 km north of ancient Gerasa, in a fertile valley fed by springs, an intriguing ensemble of buildings associated with fertility cults captures the imagination of visitors and challenges the work of researchers.

The centerpiece of the site is a large reservoir measuring 88.50 x 43.50 m and up to 3 m deep, divided by a wall into two unequal parts, from which the name Birketein (Arabic: two basins) derives. Set into the hillside behind it are the remains of a small theater which could seat around 1000 spectators. Between the pools and the theater there used to be a colonnade or arcades, along which an ancient processional road ran northward. Next to the theater, Roman baths with a well-preserved hypocaust system were excavated. Along the road were also found tombs, the most remarkable of which is that of Germanus 200 meters to the north, a mausoleum with a subterranean vault and portico.

The reservoir of 88.50 x 43.50 m was up to 3 m deep. On the hill can be seen the theater.

View of the reservoir from the theater on the hill.

The reservoir is divided by a 2.8 m thick wall with a sluice gate, which regulated the water level in the larger northern basin. Along the western edge of the reservoir there was a colonnade.

Water and fertility cults

The connection of Birketein to a place of worship is evidenced by an inscription from the 2nd century AD, which commemorates the construction of a temple dedicated to Zeus Epicarpius (guardian of the harvests). Unfortunately, no remains could yet be attributed to this temple, but it can be assumed that it was located on the top of the hill. The cultic character of the site and the kind of practices that were performed until the Byzantine period is confirmed by a much later inscription (from the 6th century AD) which indicates that the Maiumas festival was celebrated at Birketein. The term maiumas, of Semitic origin, is related to sea/water. Mentioned by writers of the fourth and later centuries, it is known that it was celebrated as a fertility cult in other places throughout the region. The festivities included processions, water rituals that could be wild and excessive, theatrical performances, and other activities.

Since the buildings at Birketein date from the 2nd and 3rd centuries AD, but the Maiumas celebrations were not attested until late antiquity, it is likely that similar rites were originally dedicated to other deities. As Achim Lichtenberger writes: "If one searches for the roots of the Maiumas, which was documented in Gerasa in 535 AD, then two possibilities can be suggested. On the one hand, a connection with Zeus Epikarpios seems conceivable, but on the other hand, a reference to possible water rites of the Artemis cult in Gerasa can also be postulated." (Transl.UiU) An early third-century dedication to the goddess Artemis by "the gardeners of the upper valley" found at the Artemis Sanctuary in Gerasa could also support this assumption, as these higher lands where located to the north of the ancient city and the large double pools of Birketein might have been used for irrigation of agricultural lands.

The Theater

The theater is located west of the southern end of the reservoir. While being part of the buildings surrounding it, it is architecturally independent with no structural connection, lying about 8 m above the roadway with its axis a few degrees off that of the basins and road. The location and position was determined by the topography of the slope.

It is a small theatre, with a capacity of around 1000 spectators. The cavea has a diameter of 40 meters, from which fourteen rows of seats are preserved. The cavea is divided into four equal sections by stepped aisles, the central one continuing down to the orchestra level. The orchestra is only 12 m in diameter and was paved with regular stone slabs as can be seen in a few areas. The two main entrances running out at either end of the stage were covered with barrel vaults.

The stage building has not been preserved. But even if there had been no scaena frons (stage wall facing the audience), only the spectators in the higher rows could have had the view of the pools over the floor of the stage. This fact goes against the theory that the Theater was connected with what could have been taking place in the pools during the festivities.

Behind the theater, under the roof protection are the remains of the Roman baths.

The other two theaters of Gerasa in UiU:

South Theater

North Theater


© Summarized by Universes in Universe from information in these sources:

C. C. McCown: The Festival Theater at the Birketein, in: C.H. Kraeling (Ed.), Gerasa, City of the Decapolis

Achim Lichtenberger, Kulte und Kultur der Dekapolis

Achim Lichtenberger & Rubina Raja: Living with and on the river-side. The example of Roman Antioch-on-the-Chrysorrhoas-formerly-called-Gerasa, January 2016. In book: Water of Life (pp. 98-115) Editors: J. K. Madsen - N. O. Andersen - I. Thuesen. Project: The Danish-German Jerash Northwest Quarter Project

Clarisse Lachat, Thomas Lepaon, Mohamed Abu Abeyleh et Musa Malkawi: Les thermes de Birketein à Gerasa (Jérash, Jordanie) et le rôle du bain dans la vie religieuse du Proche-Orient romain. Syria, 92 | 2015, 45-65.

Location:

Birketein
Jerash Archeological City
Location on map


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See also in Art Destination Jordan:

Web guide for cultural travellers - a wealth of information and photos.

Contemporary art, archaeology, art history, architecture, cultural heritage.

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Jordan Tourism Board

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