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Hamed Ewais

Le Gardien de la vie (The Protector of Life), 1967
Öl auf Leinwand
132 x 100 cm

Hamed Ewais
Geboren 1919, Beni Soueif, Ägypten
Gestorben 2011, Kairo, Ägypten

Produced in the crippling aftermath of the 1967 Arab-Israeli War, the work portrays an oversized soldier that looms protectively over a group of Egyptian people engaged in a variety of daily activities: a wedding, a mother nursing her baby, children drawing and riding bikes, a couple lovingly embracing. In the distance, a plantation, a village, a factory and a group of factory workers are depicted. The work offers an image of strength, but also caution: the soldier securely holds his rifle in one hand, whereas his other tenderly shields and protects the people going about their daily lives. Beyond the cradle of the soldier’s enlarged hand, to the right, lies a deserted landscape and a barren tree, suggestive of Egypt’s loss of the Sinai Peninsula during the 1967 war. This staggering defeat crushed the hopefulness espoused by President Gamal Abdel Nasser’s Pan Arabist vision and led to a period of self-criticality throughout the region. Influenced by key figures of Mexican muralism such as Diego Rivera and David Alfaro Siqueiros, Ewais chose to work in an aesthetic style that reflected his socialist political leanings.

Text von Sarah Rogers und Mandy Merzaban

© Foto: Courtesy Barjeel Art Foundation

A Century in Flux - Fotos

Höhepunkte aus der Sammlung der Barjeel Art Foundation. Sharjah Art Museum, VAE, 12. Mai 2018 - 31. Mai 2023. Kuratoren: Salwa Mikdadi, Mandy Merzaban, Karim Sultan.

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