For an optimal view of our website, please rotate your tablet horizontally.
This mosaic with geometric panels and figurative scenes once decorated a room in one of the mansions on the southern slope of the Acropolis. It is probably the most characteristic of the mosaics discovered by the Christian Bedouins of Kerak, who fled to the abandoned ruins of the city of Madaba in 1880. Through G. Manfredi, the parish priest, it is known that the scene consisted of at least three figures, but only two figures remain, a Maenad and a Satyr.
Both figures of the Greco-Roman mythology were followers of Dionysus / Bacchus, the god of wine. The Maenad or Bacchante, dressed in a blue tunic that accentuates her body, performs a dance in which her left hand strikes cymbals that are tied to her right foot. Next to her, a naked Satyr holds a stick in his right hand; the head of the figure is a modern restoration. According to Michele Piccirillo, the Bacchic scene certainly came from the same workshop as the Mosaic of Achilles (now in the Church of the Apostles) and can probably be dated to the first half of the 6th century.
See the detail on the next page.
© Photo: Haupt & Binder
Several old houses and courtyards display mosaic floors found in situ or in other places, as well as archaeological and ethnographic exhibits.
By Michele Piccirillo
A large format, cloth-bound volume with 383 pages, 874 illustrations, including aerial views of many of the sites and plans of most of the structures which have mosaics.
American Center of Oriental Research, Amman, Jordan. First edition in 1993.
- Book order